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Rock-n-Roll Law Intellectual Property/Copyright Series: The Ethical Issues Representing a Band - Using the Beatles as a Case Study, 08/31/2018, On Demand More info »
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Rock-n-Roll Law Intellectual Property/Copyright Series: The Ethical Issues Representing a Band - Using the Beatles as a Case Study


Total Credits: 1 including 1 Ethics

Average Rating:
   32
Credit Type:
Legal Ethics
Faculty:
Jim Jesse, Esq.
Course Levels:
Intermediate
Duration:
1:00
License:

Dates



Description

In this program, attorney/songwriter Jim Jesse continues his discussion of copyright law as it applies to the ethical issues a lawyer could encounter when representing the very specific business entity that is a band.

 

Jesse uses specific fact patterns from the later portions of The Beatles career to illustrate these principles, including copyright infringement, as well as:

  • Ethical Issues in George Harrison My Sweet Lord Case (The Featured Case) / Breach of Fiduciary Duty / Conflict of Interest – MRPC 1.7, 2.1
  • Ethical Issues Regarding Band/Organization Dissolution – MRPC 1.13, 1.14
  • Ethical Issues and Conflict of Interest in Representing Competing Interests in a Group – MRPC 1.7, 2.1

This is the third installment of Jesse's Intellectual Property/Copyright series exploring issues lawyers may encounter when representing individual musical artists and bands. While the educational content of each installment stands alone, there are added benefits to attending all three.

Handouts

Faculty

Jim Jesse, Esq.'s Profile

Jim Jesse, Esq. Related Seminars and Products

Rock n Roll Law


Jim Jesse has been an attorney for 24 years, and has been a full-time CLE presenter since 2013. He is the former General Counsel for Cool Music Network (THECOOLTV), which is a 24-hour music video television network. 

 

Previously in private practice, he founded Rock N Roll Law to spread his passion for music law through his seminars.

He is also a singer/songwriter who has released two albums, is a member of BMI, and has run his own record label distributing his music. He has written songs for more than 30 years, and studied music history for nearly as long.

 

He is also the author of "The Music Copyright Law Manual" and the forthcoming "The Musician’s Guide to Music Copyright Law."

Mr. Jesse consults and practices in areas regarding intellectual property, licensing and music law. He has drafted and reviewed hundreds of contracts from small barter deals to multi-million dollar ones.


Reviews

5
4
3
2
1

Overall:      4.6

Total Reviews: 32

Comments

Jon P - St Louis, Missouri

"Always have your client have a written contract"

Eric C - Blue Hill, Maine

"multi-faceted representation of these entities"

Mark S - Denver, Colorado

"I'm a criminal lawyer. Ultimately I think this highlighted how important it is to always conflict off when you have conflicts of interest. Things got messy with Eastman overtime."

Lesley L - Kennett, Missouri

"Represent the company/band, not the individual, make that clear"

Aimee S - Bolivar, Missouri

"The importance of getting an operational agreement in place for the Band."

David B - CITY, Missouri

"pledge"

James H - Kansas City, Missouri

" "

Francis W - Bangor, Maine

"Analysis"

Brennen S - O'Fallon, Missouri

"Recall the organization is the client"

ROBERT W - ST LOUIS, Missouri

"WRITTEN OPERATING AGREEMENT FROM JUMP"